Another film in this heroic genre was the 1945 Tsogt Taij. This film portrays the life of Tsogt Taij, a nobleman who resisted the invasion of central Mongolia by Oirad soldiers during the seventeenth century. Preparations for this film, which started in 1944, were made at the highest political levels. MPRP Prime Minister Choibalsan met with Josef Stalin to request the help of an experienced filmmaker to oversee production. Yu. Tarich was appointed as director. Aside from this role he

From the mid-1930s onwards, the political situation in the world deteriorated sharply, and the dominance of force in international relations became apparent in Mongolian society. In response, a new genre of films surrounding the figures of heroes emerged in Mongolian cinema. 1940 saw the creation of the film Sukhbaatar (His Name Sukhbaatar), which focused on the life of the leader of the 1921 People’s Revolution. Sukhbaatar was an international collaboration mandated by the MPRP Central Committee. In 1940 this politically

"Norjmaa's Road" One year later, in 1938, the film Norjmaa's road was filmed at the Mongolkino studio. It was based on a script written and directed by T.Natsagdorj, and shot by cinematographers B. Demberel and S. Demberel under the guidance of trainer and cameraman A.A.Lebedev. The film’s main character, Norjmaa, leaves the old and goes in search of the new. Norjmaa's road has a critically important place in the history of Mongolian cinema because it was the first film made independently

The consolidation of Mongolia’s film industry during the 1930s was achieved through the construction of a cinema and a film making studio in the capital city, which had been renamed Ulaanbaatar in the 1920s. In 1934 Minister of People's Enlightenment Erdenebatkhan traveled to France, Germany, Italy, the UK and the USSR to observe the film industries of these countries. He returned with four semi-stationary pieces of "Jack" equipment acquired from Germany. The first permanent cinema in the country was acquired